Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/01 - Introduction and Project Overview.flv |
9.7 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/02 - Setting our image plane to test our tracked point cloud.flv |
34.1 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/03 - Locking our Camera and Locators to the grid.flv |
33.6 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/04 - Importing our object and integrating it into the scene.flv |
35.6 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/05 - Creating ground plane geometry to catch shadows.flv |
48.4 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/06 - Bringing in our HDR Environment and matching lighting.flv |
72.6 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/07 - Extending our ground plane and adding a curb.flv |
45.5 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/08 - Setting up our basic color layer and passes.flv |
29.7 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/09 - Creating a ground and object ambient occlusion layer.flv |
29.7 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/10 - Building our two Shadow render layers for control.flv |
25.1 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/11 - Creating a Color Matte layer to capture different pieces.flv |
28.1 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/12 - Creating a motion vector layer and outputting it correctly.flv |
15.9 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/13 - Making final changes to our Render Settings and rendering .flv |
36.5 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/14 - Shuffling all our rendered images into channels.flv |
38.3 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/15 - Rendering an EXR sequence for faster compositing.flv |
17.5 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/16 - Importing our footage and create a dual tree workflow.flv |
19.7 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/17 - Matching our footage shadows using our shadow mattes.flv |
40 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/18 - Applying ambient occlusion with color correction techniques.flv |
23.6 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/19 - Compositing our sign color passes.flv |
17.4 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/20 - Using the Color Matte pass to tweak the sign.flv |
16.3 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/21 - Hue Shifting the Legs into the correct color space.flv |
16.1 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/22 - Color Correcting the rusty base.flv |
16.5 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/23 - Fixing the sandbags by adding noise and heavy color correcting.flv |
39.1 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/24 - Adding Lightwrap to our object.flv |
23.5 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/25 - Using our motion vectors to add motion blur.flv |
19.3 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/26 - Creating a motion vector mask for the background.flv |
22.5 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/27 - Creating a Film look and rendering our final sequence.flv |
27.7 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/project_files.zip |
155.9 MB |
Compositing 3D into LiveAction with Maya & Nuke - Digital Tutors/Torrent_downloaded_from_Demonoid.me.txt |
46 B |